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Recent Articles
- A Call to Listen: A Beginner’s Guide to Hebrew Grammar in Jeremiah 10:1
- “Even If I Wash with Snow”: Job’s Cry of Purity and Futility in Hebrew
- Your People and Your Inheritance: Strength and Arm Between Hebrew and Greek
- Who is Abimelek? Political Defiance in Hebrew Speech
- May God Enlarge Japheth: Syntax, Blessing, and Subordination in Genesis 9:27
- The Plea of the Prophet: Syntax, Intercession, and Covenant Echoes in Deuteronomy 9:26
- The Swift Flight of Life: Syntax and Poetic Motion in Job 9:25
- Fear and Syntax in Giveʿon: Nested Clauses and Theological Strategy in Joshua 9:24
- Wayyiqtol Verbs, Ruach Imagery, and Political Betrayal in Judges 9:23
- Imperatives, Prophetic Syntax, and Stark Imagery in Jeremiah 9:22
- From Ashes to Dust: The Golden Calf in Hebrew Fire and Greek Fragmentation
- Fear and Obedience: How Hebrew “הֵנִיס” Becomes Greek “συνήγαγεν”
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Category Archives: Syntax
Encircling Holiness: Grammatical Ornamentation in Exodus 30:3
וְצִפִּיתָ֨ אֹתֹ֜ו זָהָ֣ב טָהֹ֗ור אֶת־גַּגֹּ֧ו וְאֶת־קִירֹתָ֛יו סָבִ֖יב וְאֶת־קַרְנֹתָ֑יו וְעָשִׂ֥יתָ לֹּ֛ו זֵ֥ר זָהָ֖ב סָבִֽיב׃
(Exodus 30:3)
And you shall overlay it with pure gold, its top, its sides all around, and its horns, and you shall make a gold molding for it all around.
Exodus 30:3 is situated within YHWH’s instructions to Moshe regarding the construction of the מִזְבַּח קְטֹרֶת (altar of incense). This verse specifically details the gold overlay and decorative features of the altar. As with much of the Tabernacle narrative (Exodus 25–31), the language is ritualistic, highly ordered, and deeply symbolic.… Learn Hebrew
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Negative Imperatives and Prohibitions in Leviticus 26:1
לֹֽא־תַעֲשׂ֨וּ לָכֶ֜ם אֱלִילִ֗ם וּפֶ֤סֶל וּמַצֵּבָה֙ לֹֽא־תָקִ֣ימוּ לָכֶ֔ם וְאֶ֣בֶן מַשְׂכִּ֗ית לֹ֤א תִתְּנוּ֙ בְּאַרְצְכֶ֔ם לְהִֽשְׁתַּחֲוֹ֖ת עָלֶ֑יהָ כִּ֛י אֲנִ֥י יְהוָ֖ה אֱלֹהֵיכֶֽם׃
(Leviticus 26:1)
You shall not make idols for yourselves, nor shall you set up a graven image or a pillar for yourselves, nor shall you place a figured stone in your land to bow down to it, for I am YHWH your God.
Syntax of Covenant Prohibitions
Leviticus 26:1 opens the chapter of blessings and curses with a firm reminder of Israel’s exclusive devotion to YHWH.… Learn Hebrew
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“Good of Understanding and Beautiful in Appearance”: Construct Chains and Characterization in 1 Samuel 25:3
This article analyzes 1 Samuel 25:3, focusing on the construct chain and adjective-noun coordination in the character descriptions of Nabal and Avigayil. It explores how the syntactic structure and word order reflect theological and narrative characterization.
וְשֵׁ֤ם הָאִישׁ֙ נָבָ֔ל וְשֵׁ֥ם אִשְׁתּ֖וֹ אֲבִגָ֑יִל וְהָאִשָּׁ֤ה טֽוֹבַת־שֶׂ֨כֶל֙ וִ֣יפַת תֹּ֔אַר וְהָאִ֥ישׁ קָשֶׁ֛ה וְרַ֥ע מַעֲלָלִ֖ים וְה֥וּא כָלִבִּֽי׃
(1 Samuel 25:3)
Now the name of the man was Nabal, and the name of his wife was Abigail. And the woman was intelligent and beautiful in appearance, but the man was harsh and evil in his deeds.… Learn Hebrew
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“Sweeping Away All Things”: The Use of Infinitive Absolute for Emphasis in Zephaniah 1:3
אָסֵ֨ף אָדָ֜ם וּבְהֵמָ֗ה אָסֵ֤ף עֹוף־הַשָּׁמַ֨יִם֙ וּדְגֵ֣י הַיָּ֔ם וְהַמַּכְשֵׁלֹ֖ות אֶת־הָרְשָׁעִ֑ים וְהִכְרַתִּ֣י אֶת־הָאָדָ֗ם מֵעַ֛ל פְּנֵ֥י הָאֲדָמָ֖ה נְאֻם־יְהוָֽה׃
(Zephaniah 1:3)
I will sweep away man and beast, I will sweep away the birds of the heavens and the fish of the sea, and the stumbling blocks with the wicked. I will cut off man from the face of the earth, declares YHWH.
Cosmic Judgment through Grammatical Emphasis
Zephaniah 1:3 belongs to the opening judgment oracle of the book, where YHWH declares a sweeping destruction across all creation—humans, beasts, birds, and fish.… Learn Hebrew
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“Do Not Arouse Love Until It Desires”: Volition, Oath, and the Conditional אִם in Song of Songs 2:7
הִשְׁבַּ֨עְתִּי אֶתְכֶ֜ם בְּנֹ֤ות יְרוּשָׁלִַ֨ם֙ בִּצְבָאֹ֔ות אֹ֖ו בְּאַיְלֹ֣ות הַשָּׂדֶ֑ה אִם־תָּעִ֧ירוּ וְאִם־תְּעֹֽורְר֛וּ אֶת־הָאַהֲבָ֖ה עַ֥ד שֶׁתֶּחְפָּֽץ׃
(Song of Songs 2:7)
I adjure you, daughters of Jerusalem, by the hosts or by the gazelles of the field: do not stir up or awaken love until it pleases.
A Poetic Oath of Restraint
This iconic verse from the Song of Songs is the first of three poetic refrains that appear throughout the book (cf. 3:5, 8:4). Here, the female speaker addresses the “daughters of Yerushalayim” and adjures them by the wild creatures of the field not to awaken love before its proper time.… Learn Hebrew
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“But Only Cities to Live In”: The Restrictive Construction כִּי אִם in Joshua 14:4
כִּֽי־הָי֧וּ בְנֵֽי־יֹוסֵ֛ף שְׁנֵ֥י מַטֹּ֖ות מְנַשֶּׁ֣ה וְאֶפְרָ֑יִם וְלֹֽא־נָתְנוּ֩ חֵ֨לֶק לַלְוִיִּ֜ם בָּאָ֗רֶץ כִּ֤י אִם־עָרִים֙ לָשֶׁ֔בֶת וּמִ֨גְרְשֵׁיהֶ֔ם לְמִקְנֵיהֶ֖ם וּלְקִנְיָנָֽם׃
(Joshua 14:4)
For the sons of Yosef were two tribes, Menashshe and Efrayim, and they did not give a portion to the Levi’im in the land, except cities to dwell in, and their pasturelands for their livestock and for their possessions.
Tribal Allocation and Levitical Exception
Joshua 14:4 outlines the distribution of the land among the tribes of Yisra’el, highlighting the unique position of the descendants of Yosef and the tribe of Levi.… Learn Hebrew
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The Construct Chain in Psalm 1:3
וְֽהָיָ֗ה כְּעֵץ֮ שָׁת֪וּל עַֽל־פַּלְגֵ֫י מָ֥יִם אֲשֶׁ֤ר פִּרְיֹ֨ו יִתֵּ֬ן בְּעִתֹּ֗ו וְעָלֵ֥הוּ לֹֽא־יִבֹּ֑ול וְכֹ֖ל אֲשֶׁר־יַעֲשֶׂ֣ה יַצְלִֽיחַ׃
(Psalm 1:3)
And he shall be like a tree planted by streams of water, which yields its fruit in its season. Its leaf does not wither, and all that he does prospers.
Psalm 1:3 is a vivid poetic description of the righteous individual, comparing them to a tree planted by streams of water. The verse employs various grammatical constructs, including the construct chain (סְמִיכוּת), which plays a crucial role in biblical Hebrew syntax.… Learn Hebrew
Use of Rhetorical Questions in Biblical Hebrew
Rhetorical questions in Biblical Hebrew function as potent theological and literary instruments that challenge, affirm, lament, and provoke reflection without seeking actual answers. Introduced through particles like הֲ, אִם, and הֲלֹא, these structures utilize irony, emotional contrast, and poetic fronting to emphasize divine supremacy, human frailty, and moral tension. From prophetic rebuke in Amos to poetic lament in Lamentations, such questions distill deep truths into striking, self-answering forms. By shaping discourse around implication rather than information, they transform dialogue into dynamic theological confrontation and meditation.… Learn Hebrew
Redundant Adverbs: When an Adverb Is Reinforced for Emphasis
Redundant adverbs in Biblical Hebrew—like מְאֹד מְאֹד (“very, very”) or תָּמִיד יֹומָם וָלַיְלָה (“continually, day and night”)—aren’t grammatical excess; they’re deliberate amplifiers of emotion, intensity, and theological certainty. Whether through lexical doubling, phrase reinforcement, or poetic parallelism, these adverbial echoes sharpen the urgency of divine speech, underscore covenantal absolutes, and infuse biblical rhetoric with rhythmic conviction. In texts where repetition rules, even the smallest modifiers reverberate with doctrinal weight and literary force.
Emphatic Repetition in the Syntax of Biblical Hebrew
In Biblical Hebrew, redundancy is not a flaw—it is a feature.… Learn Hebrew
Agreement with Plural Forms: How Verbs and Adjectives Match Gender
Plural gender agreement in Biblical Hebrew weaves together grammar and literary art, with verbs, adjectives, pronouns, and participles adapting to both number and gender. While masculine and feminine distinctions are clear in the imperfect and adjective forms, poetic and later texts blur boundaries—sometimes using masculine plurals for feminine subjects, especially abstract or collective nouns. This flexibility not only reveals the language’s structural nuance but enhances its rhetorical range. Biblical Hebrew’s gender concord isn’t just syntactic—it’s a stylistic device that deepens meaning and signals shifts in tone, genre, and theological focus.… Learn Hebrew