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Recent Articles
- Order in Motion: Nethanʾel son of Tsuʿar and the March of Issachar
- The Grammar of Vision: Enumerative Syntax and Symbolic Order in Ezekiel 10:14
- The Grammar of Divine Meteorology: Syntax and Pragmatic Force in Jeremiah 10:13
- When the Sun Stood Still: Syntax and Command in Joshua 10:12
- Woven with Wonder: Syntax and Embodied Imagery in Job 10:11
- The Wink and the Wound: Syntax, Parallelism, and Irony in Proverbs 10:10
- The Grammar of Surprise: The Wayyiqtol Chain and Temporal Progression in Joshua 10:9
- The Birth of Power: The Grammar of Beginning and Becoming in Genesis 10:8
- Genealogical Syntax and the Grammar of Nations in Genesis 10:7
- Do Not Mourn as Others Do: Restraint and Reverence in the Aftermath of Fire
- The Blast and the Camp: Exploring Hebrew Commands and Movement in Numbers 10:5
- If You Refuse: The Threat of the Locusts in Translation
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Author Archives: Biblical Hebrew
Unveiling and Withholding: The Dance of the Binyanim in Exodus 6:3
וָאֵרָ֗א אֶל־אַבְרָהָ֛ם אֶל־יִצְחָ֥ק וְאֶֽל־יַעֲקֹ֖ב בְּאֵ֣ל שַׁדָּ֑י וּשְׁמִ֣י יְהוָ֔ה לֹ֥א נֹודַ֖עְתִּי לָהֶֽם׃ (Exodus 6:3)
And I appeared to Avraham to Yitsḥaq and to Yaʿaqov as El Shaddai and My name YHWH I was not known to them
Introduction: Divine Revelation and Hiddenness
This verse from Exodus 6:3 captures one of the most theologically charged moments in the Torah: the contrast between appearing and being known. At the heart of this verse lies a subtle and profound play between two binyanim—Niphal and Qal.… Learn Hebrew
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“Blow the Shofar in Tekoa”: Analyzing תִּקְע֣וּ in Jeremiah 6:1
Introduction to Jeremiah 6:1: Sounding the Alarm Before Judgment
Jeremiah 6:1 is part of a prophetic warning addressed to the southern kingdom of Yehudah, vividly calling the people to flee danger and sound the alarm. At the heart of this call is the imperative verb תִּקְע֣וּ, commanding the blowing of the שׁוֹפָר in the town of תְּקֹועַ. This action symbolizes military alert and divine judgment. This article will explore the grammar, syntax, and theological-literary force of תִּקְע֣וּ in its immediate prophetic context.… Learn Hebrew
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“Feed Me That Red Stuff”: Syntax and Identity in Genesis 25:30
וַיֹּ֨אמֶר עֵשָׂ֜ו אֶֽל־יַעֲקֹ֗ב הַלְעִיטֵ֤נִי נָא֙ מִן־הָאָדֹ֤ם הָאָדֹם֙ הַזֶּ֔ה כִּ֥י עָיֵ֖ף אָנֹ֑כִי עַל־כֵּ֥ן קָרָֽא־שְׁמֹ֖ו אֱדֹֽום׃ (Genesis 25:30)
Opening Frame: A Syntactic Appetite
Genesis 25:30 is a narrative gem in which Esav’s physical hunger triggers not only a spoken request but the etymology of a national identity. The syntax of this verse reflects urgency, simplicity, and irony. Through imperatives, direct objects, causal conjunctions, and final commentary, the structure captures both Esav’s desperation and the narrator’s theological messaging.
Clause Structure: Speech, Reason, and Naming
This verse consists of three major clauses:
1.… Learn Hebrew
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The Fate of the Fool: Parallelism, Negation, and Wisdom Syntax in Proverbs 5:23
Proverbs 5:23
ה֗וּא יָ֭מוּת בְּאֵ֣ין מוּסָ֑ר וּבְרֹ֖ב אִוַּלְתֹּ֣ו יִשְׁגֶּֽה׃
Judgment Statement: הוּא יָמוּת בְּאֵין מוּסָר
הוּא (“he”) emphasizes the subject, often added for poetic or emphatic effect. יָמוּת (“he shall die”) is a Qal imperfect 3ms of מ־ו־ת (“to die”), expressing a future or inevitable outcome.
בְּאֵין מוּסָר — “for lack of discipline” or literally “in there being no discipline.” מוּסָר means “instruction, correction,” and אֵין marks negation in a nominal clause. The prefix בְּ indicates circumstance or cause.
This clause teaches that death comes not from violence but from moral failure — a hallmark of wisdom literature.… Learn Hebrew
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Relative Clauses and the Syntax of Sworn Declarations
Introduction to Judges 21:5
Judges 21:5 contains a judicial inquiry framed with a complex syntactic structure involving multiple relative clauses, particularly those introduced by אֲשֶׁר. The layering of relative clauses is critical for understanding Biblical Hebrew’s method of formal legal expression. This verse also demonstrates how relative syntax, when compounded with legal oaths and performative declarations, produces a highly structured and formalized idiom.
וַיֹּֽאמְרוּ֙ בְּנֵ֣י יִשְׂרָאֵ֔ל מִ֠י אֲשֶׁ֨ר לֹא־עָלָ֧ה בַקָּהָ֛ל מִכָּל־שִׁבְטֵ֥י יִשְׂרָאֵ֖ל אֶל־יְהוָ֑ה כִּי֩ הַשְּׁבוּעָ֨ה הַגְּדֹולָ֜ה הָיְתָ֗ה לַ֠אֲשֶׁר לֹא־עָלָ֨ה אֶל־יְהוָ֧ה הַמִּצְפָּ֛ה לֵאמֹ֖ר מֹ֥ות יוּמָֽת׃
Analysis of Key Words and Structures
מִ֠י אֲשֶׁ֨ר לֹא־עָלָ֧ה (mi asher lo-ʿalah) – “Who did not go up.”… Learn Hebrew
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Volitive Syntax and Theological Restoration in Lamentations 5:21
Introduction: Hope Through Syntax in the Poetry of Lament
Lamentations 5:21 stands near the close of one of the most theologically and emotionally charged books in the Hebrew Bible. After chapters of devastation, confession, and silence, this verse issues a cry not only for divine attention but for spiritual return and covenantal restoration. The verse reads:
הֲשִׁיבֵ֨נוּ יְהוָ֤ה אֵלֶ֨יךָ֙ וְנָשׁוּבָה חַדֵּ֥שׁ יָמֵ֖ינוּ כְּקֶֽדֶם׃
Return us to You, O LORD, and we shall return; renew our days as of old.
At first glance, this verse appears as a simple plea.… Learn Hebrew
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“If You Find a Man”: Analyzing אִם in Jeremiah 5:1
Introduction to Jeremiah 5:1: The Search for Justice in a Corrupt City
Jeremiah 5:1 opens with an evocative challenge: search the streets of יְרוּשָׁלִַם (Yerushalayim), seek out one just person. At the heart of this challenge is a double conditional structure using the Hebrew particle אִם (“if”). The verse offers a window into divine justice and mercy—showing that even one righteous individual could stay YHWH’s judgment. This article will explore the grammar and rhetorical power of the conditional particles אִם־תִּמְצְאוּ and אִם־יֵשׁ, and their implications in the context of prophetic indictment and covenant mercy.… Learn Hebrew
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The Melody of Meaning: Participles and Professions in Genesis 4:21
Genesis 4:21
וְשֵׁ֥ם אָחִ֖יו יוּבָ֑ל ה֣וּא הָיָ֔ה אֲבִ֕י כָּל־תֹּפֵ֥שׂ כִּנֹּ֖ור וְעוּגָֽב׃
Grammatical Focus: The Participial Form תֹּפֵ֥שׂ
The word תֹּפֵ֥שׂ is a masculine singular participle from the root ת־פ־שׂ, meaning “to grasp,” “to handle,” or “to wield.” In this context, it describes someone who plays or handles musical instruments. The participle in Biblical Hebrew functions similarly to an adjective or a verbal noun and can describe an ongoing action or a characteristic identity. Thus, תֹּפֵ֥שׂ כִּנֹּ֖ור וְעוּגָֽב does not merely mean “one who touched instruments,” but someone characterized by his activity — a musician or artisan of sound.… Learn Hebrew
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Shaking Words and Shifting Roles: The Binyanim in Job’s Sarcastic Rebuke
גַּ֤ם אָנֹכִי֮ כָּכֶ֪ם אֲדַ֫בֵּ֥רָה ל֤וּ־יֵ֪שׁ נַפְשְׁכֶ֡ם תַּ֤חַת נַפְשִׁ֗י אַחְבִּ֣ירָה עֲלֵיכֶ֣ם בְּמִלִּ֑ים וְאָנִ֥יעָה עֲ֝לֵיכֶ֗ם בְּמֹ֣ו רֹאשִֽׁי׃ (Job 16:4)
I also, like you, would speak; if only your soul were in place of mine, I would join words together over you, and I would shake over you with the nodding of my head.
Overview: Expressing Irony Through Binyanim
Job 16:4 is a masterful example of Biblical Hebrew’s expressive potential. In this verse, Job sarcastically imagines himself trading places with his accusers. The verbs he chooses reflect control, creativity, and confrontation—each shaped by its binyan.… Learn Hebrew
Divine Mystery and Royal Appeal: Syntax of Interpretation in Daniel 4:15
Introduction: Court Language, Crisis, and Prophetic Authority
Daniel 4:15 recounts Nebuchadnezzar’s appeal to Belteshazzar (Daniel) to interpret his troubling dream. The verse is a moment of theological tension and narrative climax, as the king publicly acknowledges Daniel’s unique spiritual capacity amid the failure of Babylonian sages:
דְּנָה֙ חֶלְמָ֣א חֲזֵ֔ית אֲנָ֖ה מַלְכָּ֣א נְבוּכַדְנֶצַּ֑ר וְאַנְתְּ בֵּלְטְשַׁאצַּ֜ר פִּשְׁרֵ֣א אֱמַ֗ר כָּל־קֳבֵל֙ דִּ֣י כָּל־חַכִּימֵ֣י מַלְכוּתִ֗י לָֽא־יָכְלִ֤ין פִּשְׁרָא֙ לְהוֹדָ֣עֻתַ֔נִי וְאַנְתְּ כָּהֵ֔ל דִּ֛י רֽוּחַ־אֱלָהִ֥ין קַדִּישִׁ֖ין בָּֽךְ׃
This is the dream that I, King Nebuchadnezzar, saw; and you, O Belteshazzar, declare its interpretation, because all the wise men of my kingdom are not able to make known to me its interpretation, but you can, for the spirit of the holy gods is in you.… Learn Hebrew
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