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Recent Articles
- Through the Great and Fearsome Wilderness: From Fiery Serpent to Flowing Spring
- “Counsel Is Mine” — Exploring the Voice of Wisdom in Proverbs 8:14
- From the Garden to the Ear: Participles and Imperatives in Song of Songs 8:13
- Wisdom’s Self-Introduction: Where Insight Meets Strategy
- Guard Yourself: The Grammar of Memory and Obedience
- Mapping the Syntactic Battlefield
- When Wisdom Speaks Clearly: Syntax and Semantics in Proverbs 8:9
- Sending the Dove: From Loosened Waters to Stilled Waters
- The Mystery of Tomorrow: When Knowledge Meets a Wall
- The Seal of Syntax: Imperatives, Similes, and Poetic Fire in Song of Songs 8:6
- Perpetual Backsliding: Interrogatives, Participles, and the Syntax of Resistance
- Anchored in Syntax: The Resting of the Ark in Genesis 8:4
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Author Archives: Biblical Hebrew
Fire and Fury: Future Movement and Divine Judgment in Isaiah 66:15
Isaiah 66:15
כִּֽי־הִנֵּ֤ה יְהוָה֙ בָּאֵ֣שׁ יָבֹ֔וא וְכַסּוּפָ֖ה מַרְכְּבֹתָ֑יו לְהָשִׁ֤יב בְּחֵמָה֙ אַפֹּ֔ו וְגַעֲרָתֹ֖ו בְּלַהֲבֵי־אֵֽשׁ׃
Announcement Formula: כִּֽי־הִנֵּה יְהוָה
כִּֽי־הִנֵּה (“For behold”) introduces a prophetic announcement with emphasis and urgency. יְהוָה is the divine subject, immediately linked to the coming action. The formula alerts the audience to a decisive intervention by God.
Descent in Fire: בָּאֵשׁ יָבֹוא
בָּאֵשׁ (“in fire”) uses the preposition בְּ (“in, with”) emphasizing the medium of divine appearance. יָבֹוא is a Qal imperfect 3ms of ב־ו־א (“to come”), describing imminent future action: “He will come.”… Learn Hebrew
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Vanished Beloved: Syntax and Yearning in Song of Songs 5:6
פָּתַ֤חְתִּֽי אֲנִי֙ לְדֹודִ֔י וְדֹודִ֖י חָמַ֣ק עָבָ֑ר נַפְשִׁי֙ יָֽצְאָ֣ה בְדַבְּרֹ֔ו בִּקַּשְׁתִּ֨יהוּ֙ וְלֹ֣א מְצָאתִ֔יהוּ קְרָאתִ֖יו וְלֹ֥א עָנָֽנִי׃
(Song of Songs 5:6)
Initial Impression
This verse is one of the most emotionally charged moments in the Song of Songs. The speaker opens herself to her beloved—only to find he has vanished. The syntax is disjointed, urgent, and full of first-person imperfect and perfect verbs, conveying a breathless, emotional progression.
Clause-by-Clause Analysis
1. פָּתַ֤חְתִּֽי אֲנִי֙ לְדֹודִ֔י
– פָּתַ֤חְתִּֽי – “I opened” (1cs, Qal perfect), simple completed action.… Learn Hebrew
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Jeremiah 46:5 – Interrogative, Participles, and Word Order in Dramatic Description
מַדּ֣וּעַ רָאִ֗יתִי הֵ֣מָּה חַתִּים֮ נְסֹגִ֣ים אָחֹור֒ וְגִבֹּורֵיהֶ֣ם יֻכַּ֔תּוּ וּמָנֹ֥וס נָ֖סוּ וְלֹ֣א הִפְנ֑וּ מָגֹ֥ור מִסָּבִ֖יב נְאֻם־יְהוָֽה׃
Why have I seen them dismayed and turning back? And their mighty ones are crushed, and they flee in flight and do not turn back—terror on every side, declares YHWH.
Explanation of Feature
This verse from Jeremiah 46:5 is rich in poetic and rhetorical structures, particularly:
1. The use of the interrogative particle מַדּוּעַ (“Why?”), which introduces a rhetorical question expressing astonishment or lament.
2. Multiple participles and perfect verbs in sequential word order that paint a vivid picture of military collapse.… Learn Hebrew
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The Use of Rhetorical Questions and the Syntax of Seeking in Song of Songs 6:1
Introduction to Song of Songs 6:1
Song of Songs 6:1 presents a dialogue of inquiry, where the “daughters of Jerusalem” address the Shulamite, asking where her beloved has gone so they may help her seek him. The verse employs rhetorical questions as a poetic device to express concern, admiration, and solidarity.
This passage consists of two parallel questions, each introduced by אָ֚נָה (“where?”), emphasizing:
The physical departure of the beloved (אָ֚נָה הָלַ֣ךְ דֹּודֵ֔ךְ, “Where has your beloved gone?”).
The direction in which he turned (אָ֚נָה פָּנָ֣ה דֹודֵ֔ךְ, “Where has your beloved turned?”).… Learn Hebrew
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Grammatical-Theological Analysis of Psalm 15:5
כַּסְפֹּ֤ו לֹא־נָתַ֣ן בְּנֶשֶׁךְ֮ וְשֹׁ֥חַד עַל־נָקִ֗י לֹ֥א לָ֫קָ֥ח עֹֽשֵׂה־אֵ֑לֶּה לֹ֖א יִמֹּ֣וט לְעֹולָֽם׃
1. Legal and Economic Ethics in Grammar: כַּסְפּוֹ לֹא־נָתַן בְּנֶשֶׁךְ
כַּסְפּוֹ (“his silver”) is a masculine singular noun in construct with the pronominal suffix -וֹ (“his”), drawing attention to personal property. The phrase לֹא־נָתַן (“he did not give”) uses the Qal perfect 3rd masculine singular of נָתַן, denoting a completed action—he has not given, and by implication does not give, his money בְּנֶשֶׁךְ (“with interest”).
The preposition בְּ introduces the manner or condition: “in interest,” referring to usury, prohibited by the Torah when lending to fellow Israelites (Exodus 22:24; Leviticus 25:36).… Learn Hebrew
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Causal כְּ־ with Comparative Structure and Divine Retribution Syntax
Introduction to Ezekiel 35:15
This verse concludes a prophecy of judgment against Mount Seʿir and the nation of Edom. It contrasts Edom’s joy at Israel’s devastation with the devastation that will now come upon Edom. Grammatically, it showcases the use of comparative כְּ־ clauses, divine speech verbs, and word order emphasizing retribution. This lesson will examine the use of causal-comparative כְּ־ constructions and the syntax of judgment declarations in prophetic Hebrew.
כְּשִׂמְחָ֨תְךָ֜ לְנַחְלַ֧ת בֵּֽית־יִשְׂרָאֵ֛ל עַ֥ל אֲשֶׁר־שָׁמֵ֖מָה כֵּ֣ן אֶעֱשֶׂה־לָּ֑ךְ שְׁמָמָ֨ה תִֽהְיֶ֤ה הַר־שֵׂעִיר֙ וְכָל־אֱדֹ֣ום כֻּלָּ֔הּ וְיָדְע֖וּ כִּֽי־אֲנִ֥י יְהוָֽה׃
Analysis of Key Words and Structures
כְּשִׂמְחָ֨תְךָ֜ (kesimḥatkha) – “As you rejoiced.”… Learn Hebrew
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The Legal Structure of Obligation and the Function of Conditional Clauses in Leviticus 5:1
Introduction to Leviticus 5:1
Leviticus 5:1 is part of the Torah’s legal instructions concerning guilt offerings (אָשָׁם) and the responsibility of bearing witness in legal cases. The verse outlines a conditional scenario where an individual who hears an oath of adjuration (אָלָה) and fails to testify incurs sin and guilt.
This passage is structured as follows:
An introduction to a general sin condition (וְנֶ֣פֶשׁ כִּֽי־תֶחֱטָ֗א, “If a soul sins”).
A specific situation: hearing an oath and being a witness (וְשָֽׁמְעָה֙ קֹ֣ול אָלָ֔ה, “and hears the voice of an oath”).… Learn Hebrew
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Joel 4:17 – Nominal Clauses and Future Negation
וִֽידַעְתֶּ֗ם כִּ֣י אֲנִ֤י יְהוָה֙ אֱלֹ֣הֵיכֶ֔ם שֹׁכֵ֖ן בְּצִיֹּ֣ון הַר־קָדְשִׁ֑י וְהָיְתָ֤ה יְרוּשָׁלִַ֨ם֙ קֹ֔דֶשׁ וְזָרִ֥ים לֹא־יַֽעַבְרוּ־בָ֖הּ עֹֽוד׃
And you shall know that I am the LORD your God, dwelling in Tsiyyon, my holy mountain, and Yerushalayim shall be holiness, and strangers shall not pass through her again.
Explanation of Feature
This verse from Joel 4:17 (Hebrew numbering; English Joel 3:17) illustrates two core grammatical features:
1. The nominal clause without a verb, used in the phrase אֲנִי יְהוָה אֱלֹהֵיכֶם, and
2. The future negation using לֹא + yiqtol in לֹא־יַעַבְרוּ (“they shall not pass”).… Learn Hebrew
The Poetic Use of Parallelism and the Syntax of Distress in Lamentations 4:4
Introduction to Lamentations 4:4
Lamentations 4:4 presents a vivid depiction of suffering during the siege of Jerusalem, emphasizing the plight of infants and children who lack food and water. The verse uses parallelism—a fundamental feature of Hebrew poetry—to contrast physical thirst and hunger, intensifying the emotional impact.
This passage consists of two parallel clauses:
The first clause describes a thirsty infant, whose tongue clings to the roof of its mouth.
The second clause portrays hungry children asking for bread, but no one gives it to them.… Learn Hebrew
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The Narrative Function and Theological Force of the Wayyiqtol in Genesis 4:3
Introduction: Context and Theological Prelude to Genesis 4:3
Genesis 4:3 initiates the Cain and Hevel narrative, one of the earliest and most theologically rich portrayals of human worship, sin, and divine response in the Hebrew Bible. The verse marks a transition from genealogical narration to a dramatic theological episode. It reads:
וַֽיְהִ֖י מִקֵּ֣ץ יָמִ֑ים וַיָּבֵ֨א קַ֜יִן מִפְּרִ֧י הָֽאֲדָמָ֛ה מִנְחָ֖ה לַֽיהוָֽה׃
And it came to pass at the end of days that Qayin brought from the fruit of the ground an offering to the LORD.… Learn Hebrew