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22. Peculiarities of the Gutturals
Changes involving the guttural consonants א, ה, ח, and ע in Biblical Hebrew reflect their unique phonetic properties, which resist certain grammatical operations like doubling. These letters typically do not admit Dageš Forte, leading either to the lengthening of a preceding vowel or to “virtual” strengthening where the Dageš is implied but not written. Gutturals also show a strong preference for A-class vowels and often require the use of compound Šewâ instead of simple mobile Šewâ. In final position after long vowels, a furtive Pathaḥ is inserted and pronounced before the guttural (e.g.,… Learn Hebrew
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21. The Aspiration of the Tenues
The aspiration of the six Begadkephath letters (ב, ג, ד, כ, פ, ת) in Biblical Hebrew reflects a phonological distinction between their original hard (plosive) forms—marked by Dageš lene—and their later-developed soft (spirant) forms. The hard pronunciation typically occurs at the beginning of words or after consonants, while the soft form appears after vowels or mobile Šewâ. Dageš lene is consistently used at word-initial position, even following a vowel if a pause or accent intervenes. However, exceptions arise when the preceding letter is a vowel letter (א, ה, ו, י), which do not close syllables, leading to spirantization.… Learn Hebrew
20. The Strengthening (Sharpening) of Consonants
The strengthening of consonants in Biblical Hebrew, primarily marked by Dageš Forte, occurs for both grammatical and euphonic reasons. Essential strengthening (Dageš Forte necessarium) arises when identical consonants would otherwise appear in succession without a vowel (e.g., נָתַ֫נּוּ), through assimilation (e.g., יִתֵּן), or as a characteristic of specific grammatical forms (e.g., לִמַּד). In other cases, Dageš serves to preserve short vowels in closed syllables. Euphonic strengthening (Dageš Forte conjunctivum) appears when words are closely connected in pronunciation, especially after tone-bearing vowels, Maqqēph, or toneless endings, and is often used to enhance the audibility of Šewâ or to emphasize a pause.… Learn Hebrew
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19. Changes of Consonants
Changes of consonants in Biblical Hebrew arise from processes such as commutation, assimilation, rejection, addition, transposition, and softening, all of which reflect the interaction between phonological tendencies and morphological structure. Commutation involves the interchange of similar consonants, often due to shared articulation or historical variation. Assimilation typically affects the consonant נ, which merges into a following consonant and triggers Dageš forte. Rejection, or elision, occurs when weak consonants like נ, ל, א, ה, ו, or י are dropped at the beginning (aphaeresis), middle (syncope), or end (apocope) of a word.… Learn Hebrew
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18. Peculiarities and Changes of Letters: The Syllable and the Tone
Morphological changes in Biblical Hebrew are primarily shaped by two interrelated factors: (1) the unique phonological behavior of certain consonant groups, which may lead to irregularities in combination or inflection, and (2) the structural rules governing syllables and word stress, which determine how vowels and consonants can be arranged and where the primary accent falls. These two forces—consonantal idiosyncrasies and phonological constraints—together account for many of the distinctive patterns and deviations found in Hebrew word formation and pronunciation.
Overview
The morphological changes that occur in the forms of Hebrew words are influenced by two main factors:
The inherent characteristics of specific groups of consonants: Certain letters behave irregularly in combination or under inflection due to their phonological properties.… Learn Hebrew
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17. Of the Qerê and Kethîb. Masora marginalis and finalis
The system of Qerê and Kethîb in the Hebrew Bible reflects a scribal tradition that preserves both the written text (Kethîb, “what is written”) and the preferred oral reading (Qerê, “what is read”). In such cases, the consonants of the Kethîb remain in the text, while the vowels of the Qerê are superimposed, with the full Qerê form noted in the margin. Special categories include Kethîb velo Qerê (written but not read) and Qerê velo Kethîb (read but not written). Some readings, known as Qerê perpetuum, are so common they are assumed without marginal notes (e.g.,… Learn Hebrew
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16. Of Maqqēph and Mèthĕg
Maqqēph and Mèthĕg are two key diacritical marks in Biblical Hebrew that influence pronunciation, stress, and syntactic structure. Maqqēph (a small horizontal line) connects two or more words into a single phonetic and accentual unit, applying only one accent across them. It frequently joins monosyllabic prepositions or conjunctions (e.g., אֶל־, עַל־) to following words, but can also link longer forms. Mèthĕg (a vertical stroke under a consonant) marks secondary stress or slows vowel pronunciation, serving both phonological and syntactic functions. It appears in several forms: Light Mèthĕg (in open syllables before the main tone), Firm Mèthĕg (with long vowels before Šewâ or in specific morphological contexts), Grave Mèthĕg or Gaʿyā (emphasizing short vowels or initial Šewâ, especially in poetic books), and Euphonic Gaʿyā (preserving clarity when tones are lost).… Learn Hebrew
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15. The Accents
The Hebrew accent system, originally developed to guide public reading and later evolving into a complex musical and grammatical notation, serves two primary functions: marking word stress and indicating syntactic structure within verses. Accents are divided into disjunctive (pausal) and conjunctive (connecting) types, forming a hierarchical punctuation system that governs the flow and interpretation of the text. The standard system applies to 21 books, while Psalms, Proverbs, and Job (the אמ”ת books) use a distinct, more musically elaborate system. Accents like Sillûq, ʾAthnâḥ, and Rebhîaʼ mark major and minor divisions, while others like Mehuppākh and Pašṭā serve conjunctive roles.… Learn Hebrew
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14. Mappîq and Rāphè
The Mappîq is a diacritical point placed within certain Hebrew consonants—especially final ה—to indicate that the letter should be pronounced as a full consonant rather than as a vowel letter. Most commonly seen in final ה (e.g., גָּבַהּ gābháh, אַרְצָהּ ʾarṣāh), it distinguishes consonantal usage from vowel-like endings (e.g., אַ֫רְצָה ʾárṣā). Though primarily used with ה, Mappîq also appears in some manuscripts on א, ו, and י to clarify their consonantal function, though this is rare in printed editions. The term מַפִּיק (“bringing out”) reflects its role in enforcing pronunciation, and it shares its graphical form with Dageš due to their common emphasis on phonetic strength.… Learn Hebrew
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13. Dageš Lene
Dageš Lene is a diacritical point used in Biblical Hebrew to indicate the hard (non-aspirated) pronunciation of the six בְּגַדְכְּפַת consonants, typically appearing at the beginning of words or syllables and not following a vowel (which would instead take Dageš Forte). It restores the original plosive articulation of these letters, as seen in contrasts like מֶלֶךְ (mèlĕkh) vs. מַלְכּוֹ (malkô). A special form, known as Dageš Orthophonicum, appears in some manuscripts and editions (e.g., Baer), even outside the Begadkephat group, to prevent misreading or to mark syllabic boundaries (e.g.,… Learn Hebrew
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