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Recent Articles
- Internal Monologue and Root-Derived Wordplay in Obadiah 1:3
- Temporal Clauses and Narrative Framing in Numbers 26:1
- The Hebrew Verb אִמֵּץ: To Strengthen and Encourage
- Negative Imperatives and Prohibitions in Leviticus 26:1
- Sequential Perfects and Future Conditionals in Deuteronomy 26:1
- The Hebrew Verb הֶאֱמִין: To Believe and Trust
- Introduction to Biblical Hebrew Phonology
- The Hebrew Root א-מ-ן: Meanings, Binyanim, and Development
- The Hebrew Verb אִלֵּץ: To Compel or Force or Urge
- “Forty Stripes He May Give Him, He Shall Not Add”: Legal Limits and Syntactic Boundaries in Deuteronomy 25:3
- “Rising Early to Speak”: Temporal Expressions and Iterative Syntax in Jeremiah 25:3
- “Good of Understanding and Beautiful in Appearance”: Construct Chains and Characterization in 1 Samuel 25:3
Categories
Tag Archives: Song of Songs
“Do Not Arouse Love Until It Desires”: Volition, Oath, and the Conditional אִם in Song of Songs 2:7
Introduction to Song of Songs 2:7: A Poetic Oath of Restraint This iconic verse from the Song of Songs is the first of three poetic refrains that appear throughout the book (cf. 3:5, 8:4). Here, the female speaker addresses the … Continue reading
Posted in Grammar
Tagged Song of Songs, Song of Songs 2:7
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The Interrogative Particle אָ֚נָה in Song of Songs 6:1
Introduction to Song of Songs 6:1 Song of Songs 6:1 presents a question directed to the beloved woman, asking about the whereabouts of her lover. The interrogative particle אָ֚נָה (ʾānāh) plays a crucial role in shaping the inquiry, as it … Continue reading
Posted in Grammar
Tagged Song of Songs, Song of Songs 6:1
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