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Recent Articles
- Poetry of Parallelism: The Enigmatic Syntax of Job 5:7
- The Guilty Soul: Predicate-Subject Inversion and Verbal Emphasis in Numbers 5:6
- The Demonstrative זֹאת as Subject: Deixis and Emphasis in Ezekiel 5:5
- The Hebrew Verb גָּרַם: To Cause, Bring About, or Result In
- Verbs of Begetting: The Syntax of Sequential Wayyiqtol in Genealogies
- The Hebrew Verb גָּעְגַּע: To Long For, Yearn, or Miss
- Hidden Defilement, Known Guilt: Conditional Clauses and Ritual Awareness in Leviticus 5:3
- The Hebrew Verb גָּנַן: To Shield, Cover, or Defend
- Exodus 5:2 – Interrogative Pronoun, Relative Clause, and Double Negation
- The Hebrew Verb גָּנַב: To Steal or Deceive
- Incline Your Ear: Imperatives, Parallelism, and the Poetic Call to Wisdom in Proverbs 5:1
- The Hebrew Verb גָּמַר: To Complete, Finish, or Accomplish
Categories
Tag Archives: Song of Songs
“Do Not Arouse Love Until It Desires”: Volition, Oath, and the Conditional אִם in Song of Songs 2:7
Introduction to Song of Songs 2:7: A Poetic Oath of Restraint This iconic verse from the Song of Songs is the first of three poetic refrains that appear throughout the book (cf. 3:5, 8:4). Here, the female speaker addresses the … Continue reading
Posted in Grammar
Tagged Song of Songs, Song of Songs 2:7
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The Interrogative Particle אָ֚נָה in Song of Songs 6:1
Introduction to Song of Songs 6:1 Song of Songs 6:1 presents a question directed to the beloved woman, asking about the whereabouts of her lover. The interrogative particle אָ֚נָה (ʾānāh) plays a crucial role in shaping the inquiry, as it … Continue reading
Posted in Grammar
Tagged Song of Songs, Song of Songs 6:1
Comments Off on The Interrogative Particle אָ֚נָה in Song of Songs 6:1